Past composer-performer pair grant recipients

Entitled Glockenfriedhof, the piece is inspired by the bell cemeteries in Germany during World Wars I and II. Glockenfriedhof is made up of four movements: I. Order, II. War, III. Destruction, and IV. Revival. These movements are based on the history of the carillon and track the invention, destruction, and revival of the instrument.

On November 10, 2022, my grandfather passed away in Korea. My parents booked the ticket to visit him and be with my grandmother during his last few days. However, as I was in the middle of the first semester of my doctorate degree in the US, I could not visit him. It was challenging to process grief by myself; everything felt numb. One of my close friends told me I should try not to be alone, so I went into the originally scheduled carillon pre-composition workshop with Carson and just listened. As I listened to the carillon traveling through distance across the campus, I felt an enormous amount of comfort. It felt as though the carillon was telling me, "Breathe now." I dedicate this piece to Carson Landry, my dear carillonist friend, and my grandfather, who has been the inspiration behind this piece.

The performance begins with the hour chimes, then the first movement at 15 minutes past the hour, the second movement at 30 minutes past the hour, and so forth. There are 4 movements.

Fractured Chronology is a celebration of the Hour. The piece's structure is based on civilization's global organization of time (what we refer to when we ask the date and time from a friend), as opposed to the more typical (in music) independent discrete units of time (e.g. what we mean when we say something will only take 5 minutes) It does this by basing itself off the quarter hour framework of the Westminster Chimes. One of the four movements is played every quarter of an Hour. No matter how you spend the time before and after each movement, I hope that when you pause to listen to each movement, that the music will tie your disparate experiences into something greater.

The sheet music is freely available.

Life is full of new beginnings and old memories. As we progress through our own journeys, we consistently trade old hobbies and friends with new passions. Although moving on can be hard, it is a guarantee of living. Often it can be fun to wonder what your life will look like in several years, but always remember to enjoy the present, because soon it will just be a distant memory. Wonder Onward was written amidst me and Emily completing the final months of our undergraduate degrees. We both are looking forward to exploring new horizons, but feel bittersweet about leaving our home. We dedicate Wonder Onward to all those who find themselves reminiscing on their past but also hold a wonderful excitement for their future. Wonder Onward was written and premiered at the University of California, Santa Barbara, Storke Tower. The piece is a celebration of the symbol of home and belonging that the tower brings to all UC Santa Barbara students. Because the 175-foot-tall campanile is visible everywhere on campus and is featured on all university merchandise, thousands of students and alumni recognize the landmark as a symbol for such an important era of their lives. This piece is meant to honor Storke's symbolic impact as well as unite all those who have found a home at the most beautiful university of all time.