The purpose of the Carillonneur Exam is to advance individuals from Associate or Associate Carillonneur membership to Carillonneur membership of The Guild of Carillonneurs in North America. The exam certifies performance proficiency and competency in musicianship and carillon technique. The process also offers written feedback to candidates on their playing.
The exam process is a sincere commitment to growth as a musician. Passing the exam should not be viewed as an end to musical development, but rather as the beginning of a new stage in a lifelong commitment to learning and professional connection with the GCNA.
Successful candidates may also become eligible for a grant to support their emerging artistry.
The exam includes 3 stages which are all conducted anonymously:
All stages are described in detail in the official exam guidelines.
Before applying, you must first become a member of the GCNA, which costs US$40 annually (or US$25 for full-time students).
To initiate the exam, fill out an application form and email it to the Carillonneur Exam Committee co-chairs, Jeremy Chesman and Margaret Pan, at exam@gcna.org. The deadline to apply is October 16, 2025.
Download 2026 application form
In their reply, they will assign you a candidate number. Enter your candidate number (not your name) in the space provided below and use the PayPal "Pay Now" button to make your payment. You must make your PayPal payment within 1 week of receiving your candidate number.
Alternatively, you may mail a printed application form and a US$40 check made payable to "The GCNA" to the following address:
GCNA Exam Chairs
c/o Prof. Jeremy Chesman
901 South National Ave.
Springfield, MO 65897-0094
United States
Category | Piece | Publisher |
---|---|---|
Technically difficult (choose 1) |
Gloria, from Nativity Triptych, by Ronald Barnes | ACME |
Dies irae, from Gregorian Triptych, by John Courter | GCNA (PDF, hard copy) | |
Fuga, from Sonate, by Henk Badings | Donemus | |
Sketch 1 (Moderato), from Three Sketches, by Ronald Barnes (NB: a list of errata in the published score is also available from ACME's webpage) | ACME | |
Sanctus, from Mass of the Sacred Heart, by John Hammond | ACME | |
Ciacona, from Suite in D Minor for Harpsichord (HWV 448), by George Frideric Handel, arr. Bernard Winsemius | Beiaardcentrum Nederland | |
Reflexies by Jacques Maassen (Performance note for candidates: the fourth 8th note in the lowest voice of measure 36 should be F♮, not F♯ (i.e. there should be a natural sign in front of that note).) | Donemus | |
Conditor Alme, from A Carillon Book for the Liturgical Year, Part One: Advent, by Roy Hamlin Johnson | GCNA (PDF, hard copy) | |
Reflections, from Three Short Pieces, by Gary White | GCNA (PDF, hard copy) | |
Expressive (choose 1) |
Aria Hexafonica, from Suite II, by Henk Badings | Koninklijke Beiaardschool |
Land Beyond the Clouds, from 14 Preludes on Appalachian White Spirituals, by Ronald Barnes | ACME | |
"I Wonder as I Wander," by John Niles, arr. Milford Myhre | GCNA (PDF only) | |
Notule No. 1 by Émilien Allard | GCNA (PDF, hard copy) | |
Asteroids by Gary White | GCNA (PDF, hard copy) | |
Ave Maria by Franz Schubert, arr. Timothy Hurd | ACME | |
"Wondrous Love," an Appalachian folk song arr. Milford Myhre | GCNA (PDF, hard copy) | |
Aria, from Goldberg Variations (BWV 988), by Johann Sebastian Bach, arr. Gideon Bodden | Gideon Bodden | |
Poème des pierres, from Poèmes, by Émilien Allard (Candidates may incorporate the changes indicated in the following errata into their performances, but will not be penalized if they do not.) | GCNA (PDF only) |
Download past required piece lists
Jurors are appointed annually by the Board of Directors. The exam committee chairs are not jurors.
If you need to request special accommodations, email the Carillonneur Exam Committee co-chairs at exam@gcna.org by the initial application deadline. The President and the co-chairs will consider each case individually.
Contact us: info@gcna.org
Copyright © . All rights reserved.