City carillon (stadsbeiaard)
*Location:
Halletoren (Belfort)
Grote Markt
Brugge (Bruges),
West-Vlaanderen, Belgium
LL: N 51.208, E 3.225
*Player:
Aimé Lombaert, stadsbeiaardier (A)
Doornikse Heerweg 121
9700 Oudenaarde
- and -
Frank Deleu, adj.-beiaardier (A)
E: frank DOTdeleu @ skynet DOTbe
- and -
Eugeen Uten, ere-stadsbeiaardier
(honorary city carillonneur)*Contact:
(unknown)
*Schedule:
Sunday 1415-1500 year-round; Wednesday and Saturday from 1 October to 15 June
*Remarks:
Chime of 1528 by Jacob Waghevens. Replaced in 1603 by Marc leSerre (Bergues), who extended it in 1631. Replaced in 1675 (1673?) by Melchior deHaze, who enlarged it in 1680; destroyed by lightning & fire in 1742. Carillon of 1743 by J. duMery; new drum & clock in 1748. Michiels recast 15, all replaced later; latest trebles by Horacantus/Eijsbouts. Tower contains 6-ton civil bell "Maria" (M.de Haze, 1680) in lower belfry, rung only on the King's birthday.
*Technical data:
Traditional carillon of 47 bells
Pitch of heaviest bell is G in the bass octave
Transposition is down 5 semitone(s)
Keyboard range: --C / C --
There are two missing bass semitones
21 bells were recast or replaced in 1969
by Eijsbouts
Prior history:
In 1939, some bells were recast or replaced
with bells made by an unknown maker
(0 bells remain from that work.)
In 1748, the instrument was enlarged to 47 bells
by the maker cited in Remarks above
(26 bells were added in and/or remain from that work.)
In 1680, the instrument was enlarged to 39 bells
by the maker cited in Remarks above
(0 bells remain from that work.)
In 1672, the instrument was enlarged to 35 bells
by the maker cited in Remarks above
(0 bells remain from that work.)
In 1631, the instrument was enlarged to 26 bells
by the maker cited in Remarks above
(0 bells remain from that work.)
In 1603, the instrument was enlarged to 20 bells
by the maker cited in Remarks above
(0 bells remain from that work.)
In 1528, the instrument was begun with 11 bells
by the maker cited in Remarks above
(0 bells remain from that work.)
Year of latest technical information source is 1970
*Links:
Where the initial phase of this work lies in the sequence of output of miscellaneous bellfoundries,
in this region
and in the world.
Where the second phase of this work lies in the sequence of output of miscellaneous bellfoundries,
in this region
and in the world.
Where the third phase of this work lies in the sequence of output of miscellaneous bellfoundries,
in this region
and in the world.
Where the fourth phase of this work lies in the sequence of output of miscellaneous bellfoundries,
in this region
and in the world.
Where the fifth phase of this work lies in the sequence of output of miscellaneous bellfoundries,
in this region
and in the world.
Where the sixth phase of this work lies in the sequence of output of miscellaneous bellfoundries,
in this region
and in the world.
Where the seventh phase of this work lies in the sequence of output of unknown bellfoundries,
in this region
and in the world.
Where the final phase of this work lies in the sequence of output of the Eijsbouts bellfoundry,
in this region
and in the world.
Ranking among all Belgian traditional carillons by pitch (weight).
Ranking among all Belgian traditional carillons by size (number of bells).
Ranking among all Belgian traditional carillons by year of completion.
Index to all traditional carillons in BE.
Index to all tower bell instruments in BE/West-Vlaanderen.
*Status:
This page was built from the database on 12-Mar-08 based on textual data last updated on 2008/02/19 and on technical data last updated on 2008/02/19
Explanations of page format and keyboard range are available.
[GCNA Home Page] [Site data top page] [Credits and Disclaimers] [Feedback]
Please send comments or questions to csz_stl@swbell.net